新着レビュー

まなかちゃんの柔らかく優しい声も大好きですが、今作のような少しツンとした雰囲気のお芝居もすごく魅力的でした!少し上から目線な話し方もキャラクターにぴったりで、とても好きです。料理シーンは臨場感があって、包丁や調理の音も心地よく、思わず癒されながら聴いていました。箒に乗っている時の音も新鮮で、「こんな音がするんだ!」とクスッと笑ってしまいました。細かな音作りまで楽しめる、とても素敵な作品でした!

Gameplay is extremely mundane. As long as you keep moving in 1 direction nonstop nothing can hit you except bosses. Several major flaws from the last game still aren't fixed, such as maps being unnecessarily complex to navigate and having to traverse too much just to trigger an event.

The art is actually high in quality. The porn scenes do kind of make it worth the time and effort, just don't expect the fighting to be interesting.

彼女がたっぷり甘やかして癒してくれます
日々の疲れも吹き飛ぶようなあまあま具合で心が溶けていくような心地よさです。
ずっとかわいくて落ち着かないこともありますが、ASMRパートでは確実に安眠へと誘導されていき、気づけばどこまで聴いたかわからないので何周も聴いてしまいます。
優しさで耳が溶かされて、これが幸せなのだと感じられます。

Retronica is, as the name suggests, a fusion of Pitohui Record's 'toytronica' and retro themes. It is maybe the chirpiest and most audio-nostalgic of all their releases here, and I love it a lot for those reasons.

It's not nostalgia tied to a specific place or feeling, a book you enjoyed reading or a game you enjoyed playing; conversations you cherished, or people you knew. It's a genuine warmth that rolls over you strongly, a little regretted even as you miss it when it's gone.

There are plenty of happy, uplifting songs, too; it's Pitohui Records, who'll try brightly to put a smile on your face! But my favourite is unquestionably 332.35m, a piece that fits that chilled and low-tempo nostalgic feeling.

Fitting that the last album I find and review here is probably one of my favourites... I guess this is where it has to end for now. But I will hope that Pitohui Records will continue to make music for many years to come, and that we'll cross paths into the future, too. I'll look forward to seeing that bird's smile again, and smiling a little more, myself.

Zoodiac is probably one of the wildest novelty concepts for an album, but its sound can't be caged! Its claim to be an organic album in electronica feels pretty well realised; this is a pretty experimental little album, with Electronic Splinter almost like something that Carbon Based Lifeforms would produce.

Noctua is similarly synth-y, and Drunken feels like a strong-bass punchup at the Zoo(diac) that is drawing the stares of the animals present. Biodiversity is a resilient 'toytronica' march that persists even as the world is harsh, and probably my favourite track of the album, but...

Tucana is also a great example of how the album fits the wild themes it tackles, while hitting those same chirpy beats. If you have an open mind, you'll find a lot of faves in this one - just know that it's wild, out there!

A super playful album, and proof once again that Pitohui Records mascot is an adorable clown, redeeming the nature of clowns from the slander they unfairly face.

Most of the album is playful and light-hearted, with Footstep and Circus Morning each taking different approaches. Circus Morning is a bouncy little chirp of greeting, but Footstep uses sampling to make a surprisingly danceable little club mix. And then, Mr. Magic Spell slides in with a steel chair, mixing drones with the light DnB elements Pitohui Records sometimes plays with. It, as some say, slaps.

The circus has to close eventually, though, and Synopsis leaves you on a high note - my personal favourite track, it's a liquid-cool and refreshing piece with just a hint of bitter nostalgia. The circus'll return, someday, but until then - we'll have to wait for it.

This is THE album that got me into Pitohui Records. I try to avoid rating albums as 'oh, this is a perfect album!', but for me, this is a perfect album. If an album could brighten up sleepless nights, it'd be this one.

If you've heard Pitohui Record's 'toytronica' and thought you like it, I am almost certain you'll like this album. Every single track has a hazy, sweet atmosphere to it that - even if you feel a bit sad, it'll make you feel better at the same time. It's comforting like warm feathers, rainswept and bright like the night sky.

Sleeping Streetlamp is my favourite track, but I think Weekend might be the best example of what the album is like. Exudation spectrum is a perfect closing track, too. Even if you can't rest, you'll feel a bit better.

This, along with Madoromi 2:00 a.m. is one of the albums that introduced me to Pitohui Records; to sweet, harpy-having toytronica with an emotional punch to it, so much so that I left all these reviews.

Seagull Sea Girl is a playfully nostalgic album, whose showcase core track is like running along a pier with friends - when you were all younger, and had less obligations or cares.

But the whole album is great, from the boppy dance of Rainforest Vibes to the cool rush of Lovely Spirit. You'll have laid-back, slightly nostalgic tracks like Neighborhood Waves Sound, and then - my favourite of the album - the crackly ocean night ode that is Star Fluctuation. Voyage 19 is great, too - it's just a fantastic album. I think if you listen, you'll find an unfamiliar journey to a distant shore, just for you.

基本的に女を屈服させて服従させるのは良い。

ただ見た目〇学生?のキャラ戦時(中～終盤戦)に眼の前で父親を殺した挙句レイプするのは個人的に相容れなかった。ストーリーとして「そういうもの」とは理解しているが「眼の前にいるのが『新しいパパだよ』」はどうしても人を選ぶ。(個人的にはロリ・ペド姦は絶許派


そういった意味で星を-2して3つ。他のキャラは心を折らせて服従する転落劇が良かったんだけどなぁ………唯一そこが心残りだ。